{"id":7932,"date":"2021-10-22T10:53:10","date_gmt":"2021-10-22T07:53:10","guid":{"rendered":"https:\/\/lonnstromintaidemuseo.fi\/selviytymisopas-maailmanlopun-lapselle"},"modified":"2023-01-23T15:56:07","modified_gmt":"2023-01-23T13:56:07","slug":"overlevnadsguide","status":"publish","type":"page","link":"https:\/\/lonnstromintaidemuseo.fi\/sv\/overlevnadsguide","title":{"rendered":"5. \u00d6verlevnadsguide f\u00f6r ett post-apokalyptiskt barn"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_image=”9395″ bg_position=”center bottom” background_image_loading=”default” bg_repeat=”no-repeat” scene_position=”center” top_padding=”15%” constrain_group_2=”yes” top_padding_tablet=”50%” constrain_group_4=”yes” top_padding_phone=”65%” constrain_group_6=”yes” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”padding-3-percent” column_padding_tablet=”inherit” column_padding_phone=”padding-2-percent” column_padding_position=”all” top_margin=”3%” bottom_margin=”-3%” top_margin_tablet=”15%” top_margin_phone=”20%” bottom_margin_phone=”-10%” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color=”#ea4b61″ background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/5″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”L\u00f6nnstr\u00f6mprojekt 5″ font_container=”tag:h3|text_align:left|color:%23ffffff” use_theme_fonts=”yes”][divider line_type=”No Line” custom_height=”1″ custom_height_tablet=”15″ custom_height_phone=”15″][vc_custom_heading text=”\u00d6verlevnadsguide f\u00f6r ett post-apokalyptiskt barn” font_container=”tag:h1|text_align:left|color:%23ffffff” use_theme_fonts=”yes”][divider line_type=”No Line” custom_height=”30″ custom_height_tablet=”15″ custom_height_phone=”15″][vc_custom_heading text=”Nastja S\u00e4de R\u00f6nkk\u00f6 | 2021\u20132022″ font_container=”tag:h3|text_align:left|color:%23ffffff” use_theme_fonts=”yes”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/5″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”60px” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”7%” bottom_padding=”2%” top_padding_phone=”20%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\u00d6verlevnadsguide f\u00f6r ett post-apokalyptiskt barn \u00e4r ett intensivt allkonstverk som kombinerar mediekonst, text och involverande konst. Verket dryftar v\u00e5r planets os\u00e4kra framtid ur olika synvinklar. I sin slutgiltiga form \u00e4r det en flerkanalig videoinstallation som visades i Raumo 22.10\u20134.12.2022.<\/p>\n

Verkets spr\u00e5k \u00e4r engelska, texterna och finska \u00f6vers\u00e4ttningar kan l\u00e4sas h\u00e4r<\/a><\/strong>.<\/p>\n

Verket handlar om att fantisera och dr\u00f6mma om m\u00f6jliga framtider. I verket ing\u00e5r 26 videor som visar vyer \u00f6ver livet efter en betydande f\u00f6r\u00e4ndring. Videorna handlar om emotionell och praktisk \u00f6verlevnad efter stora v\u00e4ndpunkter, kriser eller katastrofer. Publiken kan leva sig in i verkets olika teman och projicera dem p\u00e5 egna k\u00e4nslotillst\u00e5nd eller i vidare mening p\u00e5 v\u00e5r tids globala kriser. Hur kan vi f\u00f6rbereda oss p\u00e5 det ok\u00e4nda, vad \u00e4r v\u00e4rt att r\u00e4dda inf\u00f6r ett s\u00e5dant hot? Hurdan kunskap och hurdana minnen vill vi \u00f6verf\u00f6ra till kommande generationer om vi st\u00e5r inf\u00f6r en o\u00e5terkallelig f\u00f6r\u00e4ndring? Hur ser det samh\u00e4lle ut som vi lever i efter v\u00e4ndpunkten?<\/p>\n

I videoverket med 26 delar r\u00f6r vi oss i odefinierade tider och platser. Utg\u00e5ngspunkter f\u00f6r det stilla f\u00f6r\u00e4nderliga bildmaterialet \u00e4r R\u00f6nkk\u00f6s poetiska texter som bygger p\u00e5 det engelska alfabetet. Varje video inleds med ett antal ord som b\u00f6rjar p\u00e5 en viss bokstav. Orden leder oss in i textens, bildens och ljudets v\u00e4rld. Stilm\u00e4ssigt varierar texterna fr\u00e5n \u00f6msinta k\u00e4rleksf\u00f6rklaringar till science fiction-liknande skildringar d\u00e4r m\u00e4nniskorna k\u00e4mpar med \u00f6verlevnadsproblem i en post-apokalyptisk tid. Enskilda videor \u00e4r fulla av l\u00e4ngtan efter svunna upplevelser, h\u00e4ndelser och m\u00e4nniskor. Men de ger ocks\u00e5 konkret \u00f6verlevnadsinformation om exempelvis n\u00e4ring och medicinering.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]H\u00f6sten 2021 spelades delar av videoverket in i Teresia och Rafael L\u00f6nnstr\u00f6ms konstmuseum i Raumo samt i fastigheten d\u00e4r verket ska visas. Rollerna spelades av lokala unga. Inspelningar har ocks\u00e5 gjorts annanstans i Finland samt till stor del i Spanien. Nastja S\u00e4de R\u00f6nkk\u00f6 har arbetat av en m\u00e5ngh\u00f6vdad skara professionals, d\u00e4ribland Aake Kivalo<\/strong> (kamera) Timo Kaukolampi<\/strong>, (musik och ljud), Heli Kota<\/strong> (klipp) och Juha Vehmaanper\u00e4 <\/strong>(outfits och styling). P\u00e5 videorna upptr\u00e4der teateramat\u00f6rer och m\u00e5nga yrkessk\u00e5despelare. Vi ser bl.a. Elsi Sloan<\/strong>, Sall Lam Toro<\/strong> och Rosaliina Paavilainen<\/strong>.[\/vc_column_text][divider line_type=”No Line” custom_height=”20″ custom_height_tablet=”15″ custom_height_phone=”15″][vc_custom_heading text=”Verket visades i en tom fastighet p\u00e5 Kaivopuisto industriomr\u00e5de i Raumo. Byggnaderna har ursprungligen tillh\u00f6rt L\u00f6nnstr\u00f6m-bolagens fabriker; den ifr\u00e5gavarande hallen har fungerat som personalutrymme. De l\u00e4nge oanv\u00e4nda lokalerna med gamla tv\u00e4ttrum st\u00f6der inneh\u00e5llet i videorna och skapade en unik inramning f\u00f6r installationen.” font_container=”tag:h4|text_align:left|color:%23ea4b61″ use_theme_fonts=”yes”][divider line_type=”No Line” custom_height=”20″ custom_height_tablet=”15″ custom_height_phone=”15″][vc_column_text]Nastja S\u00e4de R\u00f6nkk\u00f6 (f. 1985) \u00e4r en prisbel\u00f6nt bildkonstn\u00e4r fr\u00e5n Helsingfors som arbetar med olika medel: mediekonst, performance, kollektiv konst och text. Hennes verk har visats p\u00e5 separat- och grupputst\u00e4llningar i Finland och internationellt. \u00c5r 2019 uts\u00e5gs R\u00f6nkk\u00f6 \u00c5rets unga konstn\u00e4r. I juni tilldelades hon priset Below Zero, som beviljas av galleriet Beaconsfield, Serlachius-museerna och Finlandsinstitutet i Storbritannien och Irland. Med prisbeloppet g\u00f6r hon sin f\u00f6ljande installation med r\u00f6rlig bild 2023.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” bottom_padding=”8%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_btn size=”large” open_new_tab=”true” button_style=”see-through” button_color_2=”extra-color-gradient-2″ icon_family=”fontawesome” text=”Video texterna kan l\u00e4sas h\u00e4r (p\u00e5 engelska och finska)” icon_fontawesome=”fa fa-chevron-right” margin_bottom=”60″ url=”\/selviytymisopas\/tekstit” margin_left=”-5″][vc_custom_heading text=”Tack f\u00f6r samarbetet” font_container=”tag:h4|text_align:left|color:%23ea4b61″ use_theme_fonts=”yes”][divider line_type=”No Line” custom_height=”10″ custom_height_tablet=”15″ custom_height_phone=”15″][vc_custom_heading text=”KKOY Rauman Kaivopuisto, Museiverket, BMH Technology, Finlandsinstitutet i Madrid, Osuuskauppa Keula” font_container=”tag:h4|text_align:left|color:%23ea4b61″ use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”-6%” column_element_direction_desktop=”default” column_element_spacing=”default” centered_text=”true” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_gallery type=”image_grid” images=”9804,9967,9970,9973,9976,9810,9819,9816,9813,9822,9807,8206,6720,6721″ image_grid_loading=”default” display_title_caption=”true” layout=”2″ masonry_style=”true” bypass_image_cropping=”true” item_spacing=”15px” gallery_style=”2″ load_in_animation=”none” img_size=”full” el_class=”kuvagalleria” css=”.vc_custom_1667561935069{background-color: #dd3333 !important;}”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”60px” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”5%” bottom_padding=”7%” top_padding_phone=”20%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Dagl\u00e4ger f\u00f6r unga 14\u201318.6.2021″ font_container=”tag:h2|text_align:left|color:%23ea4b61″ use_theme_fonts=”yes”][divider line_type=”No Line” custom_height=”20″ custom_height_tablet=”15″ custom_height_phone=”15″][vc_column_text]L\u00f6nnstr\u00f6ms konstmuseum ordande 14\u20138.6.2021 ett dagl\u00e4ger f\u00f6r unga. L\u00e4gret var ett led i museets och konstn\u00e4ren Nastja S\u00e4de R\u00f6nkk\u00f6s gemensamma L\u00f6nnstr\u00f6mprojekt \u00d6verlevnadsguide f\u00f6r ett post- apokalyptisks barn<\/em>. P\u00e5 l\u00e4gret behandlades bland annat teman kring jordens framtid och hur man \u00f6verlever i krissituationer. Nastja S\u00e4de R\u00f6nkk\u00f6 b\u00e5de planerade och ledde l\u00e4gret. D\u00e4rtill bes\u00f6ktes l\u00e4gret av m\u00e5nga experter som h\u00f6ll workshoppar kring l\u00e4gertemat.<\/p>\n

Den f\u00f6rsta av g\u00e4stexperternas workshoppar leddes av klimatpedagogen, forskaren Anna E. Lehtonen. Hennes workshop behandlad genom diskussion och drama klimatf\u00f6r\u00e4ndringen och de k\u00e4nslor den v\u00e4cker. I sina diskussioner talade l\u00e4gerdeltagarna ocks\u00e5 p\u00e5 ett allm\u00e4nt plan om k\u00e4nslor och nyckelord kring klimatf\u00f6r\u00e4ndringen, s\u00e5som r\u00e4dsla, \u00e5ngest, frustration och utmattning. L\u00e5ter bekant, eller hur? Bland annat dessa k\u00e4nslor behandlades via drama: hur kan k\u00e4nslor f\u00f6rkroppsligas, var k\u00e4nns de? Ett knivhugg i br\u00f6stet, ett stryptag om halsen eller en tung b\u00f6rda p\u00e5 axlarna?<\/p>\n

Andra l\u00e4gerdagen \u00e4gnades \u00e5t \u00f6verlevnadsstrategier. Anna Kari, matexpert p\u00e5 Centralen f\u00f6r lantbruks- och hush\u00e5llskvinnor, ledde i museet en \u00f6verlevnadsworkshop d\u00e4r man behandlade bland annat beredskapslager i hemmet och \u00e4tbara v\u00e4xter i naturen. De modigaste v\u00e5gade smaka p\u00e5 torkad maskros som Anna hade med sig. Den f\u00f6rsta munsbiten sades ha en n\u00f6taktig smak, men strax f\u00f6rvreds provsmakarnas ansikten i en grimas. Eftersmaken beskrevs som obeskrivligt gr\u00e4slig. Lyckligtvis fanns det tillr\u00e4ckligt av de gemensamt tillredda n\u00e4sselv\u00e5fflorna med rabarberkompott.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Under ledning av vildmarks- och naturguiden Kati Granroth fick deltagarna ocks\u00e5 i tv\u00e5 dagars tid l\u00e4ra sig olika \u00f6verlevnadsmetoder. P\u00e5 onsdag tog man sig till Pinkj\u00e4rvi i Eura\u00e5minne f\u00f6r att \u00f6va sig att l\u00e4sa kartan, anv\u00e4nda kompass och g\u00f6ra t\u00e4ndved. Vidare fick l\u00e4gerdeltagarna l\u00e4ra sig att g\u00f6ra tillf\u00e4lliga skydd med presenning och sn\u00f6re, vilket resulterade i tv\u00e5 v\u00e4ldigt olika modeller, \u201dPertti\u201d och \u201dJalmari\u201d. Inte ens myggsv\u00e4rmarna i skogsbrynet lyckades stoppa den nitiska aktiviteten; mot slutet av utflykten planerades redan f\u00f6ljande skogsutflykt!<\/p>\n

P\u00e5 torsdagen bes\u00f6kte Kati museet. Nu gick man \u00e4n en g\u00e5ng igenom regler och etikett under l\u00e4gret, och deltagarna fick ocks\u00e5 \u00f6va sig i att knyta knopar. Hur var det nu den d\u00e4r p\u00e5lsteken skulle sv\u00e4ngas?<\/p>\n

Under hela l\u00e4gret och i alla dess workshoppar och \u00f6vningar hade Nastja S\u00e4de R\u00f6nkk\u00f6 konsekvent tanken om apokalypsen, v\u00e4rldens underg\u00e5ng, i bakhuvudet. Allting kulminerade i de sista dagarnas workshop d\u00e4r deltagarna fick till\u00e4mpa det de l\u00e4rt sig f\u00f6r att skapa det nya samh\u00e4lle som v\u00e4xer fram efter underg\u00e5ngen och dess efterdyningar. Processen resulterade i performancer och en skriftlig guide. M\u00f6ter v\u00e4rlden sin \u00e4nde i form av en solstorm eller en m\u00e4nnisko\u00e4tande enh\u00f6rning? Vad finns kvar fr\u00e5n den gamla v\u00e4rlden, vilka v\u00e4rderingar, lagar och regler r\u00e5der i det nya samh\u00e4llet? Vilka former av skicklighet och f\u00e4rdighet anses d\u00e5 vara nyttiga? Detta v\u00e4rldsbygge v\u00e4ckte s\u00e4rskilt stark entusiasm i de olika grupperna, och de ivrigaste b\u00f6rjade redan f\u00f6rdjupa sig i nya mytologier och \u00e4ven legender: vad var nu igen det d\u00e4r mytomspunna Coca-Cola och vem hade dess hemliga recept?<\/p>\n

En sak var s\u00e4ker: inte ett enda framtidssamh\u00e4lle kommer att anv\u00e4nda maskros som n\u00e4ring.<\/p>\n

Veera Virtanen<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”1%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” disable_element=”yes” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ 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